{"id":437,"date":"2017-03-22T11:05:35","date_gmt":"2017-03-22T11:05:35","guid":{"rendered":"http:\/\/192.168.178.58\/en\/4-2-7-note-slider-settings\/"},"modified":"2017-03-22T11:05:35","modified_gmt":"2017-03-22T11:05:35","slug":"note-slider-settings","status":"publish","type":"page","link":"https:\/\/www.vocevista.com\/en\/documentation\/program-reference\/options\/note-slider-settings\/","title":{"rendered":"3.2.8. Note Slider Settings"},"content":{"rendered":"
\n
\u2190 3.2.7. Scale Settings<\/a><\/span>3.2.9. Fundamental Ranges \u2192<\/a><\/span><\/div>\n
\n

Note Slider Settings<\/h2>\n<\/p>\n
\n<\/a><\/p>\n
\n
\"Note<\/div>\n<\/div>\n

Figure\u00a03.43.\u00a0Note Slider Settings<\/b><\/p>\n<\/div>\n


\n <\/p>\n

On this settings page you can adjust the appearance and behavior of the
\n Overtone Sliders<\/a> (which are also called Note Sliders). Most of those
\n settings can also be found on the toolbar<\/a>.<\/p>\n

\n
\n
\n
\n

\n<\/a>Fixate note sliders on screen<\/h3>\n<\/div>\n<\/div>\n<\/div>\n

If this setting is active, the note sliders are fixated on the screen and
\n will stay in the same position regardless of how the time range of the
\nAnalyzer View is changed. In VoceVista Video Pro<\/span> Free Edition the
\n sliders are always fixated on the screen.
\n When the sliders are not fixated on the screen, each slider belongs
\n to a specific time range of the recording, like the notes in a piece of music. This allows to represent an entire recording as
\n a melody comprised of musical notes, which can also be exported as a MIDI
\n file.<\/p>\n

\n
\n
\n
\n

\n<\/a>Number of Overtone Sliders<\/h4>\n<\/div>\n<\/div>\n<\/div>\n

This is the number of distinct sliders shown. Each slider can have a
\n separate fundamental frequency. The number of sliders can only be changed through this control
\n if the sliders are fixated on the screen. Otherwise, sliders can be added
\n and deleted through the commands
\n Tools<\/span> \u2192 Insert note slider at selection<\/span>
\n and
\n Tools<\/span> \u2192 Delete note selected sliders<\/span>.<\/p>\n<\/div>\n<\/div>\n

\n
\n
\n
\n

\n<\/a>Note Slider Labels<\/h3>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n

\n<\/a>Show note name<\/h4>\n<\/div>\n<\/div>\n<\/div>\n

Show the name of a slider’s note, such as \u201cA3+12ct<\/span>\u201d<\/span>. The second part of the name shows the difference in cent between the exact pitch of the slider, and the named note on the piano.<\/p>\n<\/div>\n

\n
\n
\n
\n

\n<\/a>Show frequency<\/h4>\n<\/div>\n<\/div>\n<\/div>\n

Show the pitch of a slider’s frequency, such as \u201c220 Hz<\/span>\u201d<\/span>.<\/p>\n<\/div>\n

\n
\n
\n
\n

\n<\/a>Hide middle labels<\/h4>\n<\/div>\n<\/div>\n<\/div>\n

If this option is activated, the note name and frequency will only be
\n shown for the fundamental, and for the highest displayed overtone, and
\n the lowest displayed undertone of each slider.<\/p>\n<\/div>\n

\n
\n
\n
\n

\n<\/a>Transparency<\/h4>\n<\/div>\n<\/div>\n<\/div>\n

This option makes the sliders transparent so that the spectrogram
\n underneath can still be seen. This can make it easier to position sliders
\n accurately. The amount of transparency requires some experimentation for
\n each situation. It can be adjusted here, but the transparency can also be
\n adjusted through a slider on the status bar.<\/p>\n<\/div>\n

\n
\n
\n
\n

\n<\/a>Undertone octaves only<\/h4>\n<\/div>\n<\/div>\n<\/div>\n

This option will hide all undertones that are not an octave of the fundamental. This can be useful when constructing scales, where tones are used across many octaves.<\/p>\n<\/div>\n

\n
\n
\n
\n

\n<\/a>Play top labels<\/h4>\n<\/div>\n<\/div>\n<\/div>\n

Checking this option will cause the highest visible overtone of each slider to be played together with the fundamental, when the fundamental is played by clicking on it. This can be used to play overtone melodies together with the fundamental.<\/p>\n<\/div>\n<\/div>\n

\n
\n
\n
\n

\n<\/a>Snapping<\/h3>\n<\/div>\n<\/div>\n<\/div>\n

When moving a slider along the frequency axis while this option is
\n enabled, the slider will snap to the nearest piano note or spectral peak.
\n This behavior can be reversed when the ALT key is pressed while moving a
\n slider (for more keyboard modifiers, including the possibility to snap to other sliders, refer to Table\u00a03.4, \u201cOvertone Slider Mouse Commands\u201d<\/a>).<\/p>\n

\n
\n
no snapping<\/span><\/dt>\n
\n

\n The sliders can be moved freely.\n <\/p>\n<\/dd>\n

snap to nearest musical note<\/span><\/dt>\n
\n

\n The slider will snap to the frequency that represents the nearest note on the piano.\n <\/p>\n<\/dd>\n

snap to nearest peak in spectrum<\/span><\/dt>\n
\n

\nThe slider will snap
\n to the nearest maximum in the spectrum. This allows to accurately
\n measure the loudest frequencies in a recording.\n <\/p>\n<\/dd>\n<\/dl>\n<\/div>\n<\/div>\n

\n
\n
\n
\n

\n<\/a>Editing<\/h3>\n<\/div>\n<\/div>\n<\/div>\n
\n
\n
\n
\n

\n<\/a>highlight note borders<\/h4>\n<\/div>\n<\/div>\n<\/div>\n

Checking this option will draw the note borders with high contrast, which can be useful when editing note sliders.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\u2190 3.2.7. Scale Settings<\/a><\/span>3.2.9. Fundamental Ranges \u2192<\/a><\/span><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u2190 3.2.7. Scale Settings3.2.9. Fundamental Ranges \u2192 Note Slider Settings Figure\u00a03.43.\u00a0Note Slider Settings On this settings page you can adjust the appearance and behavior of the Overtone Sliders (which are also called Note Sliders). Most of those settings can also be found on the toolbar. Fixate note sliders on screen If this setting is active, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":438,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-437","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.vocevista.com\/en\/wp-json\/wp\/v2\/pages\/437","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.vocevista.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.vocevista.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.vocevista.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.vocevista.com\/en\/wp-json\/wp\/v2\/comments?post=437"}],"version-history":[{"count":0,"href":"https:\/\/www.vocevista.com\/en\/wp-json\/wp\/v2\/pages\/437\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.vocevista.com\/en\/wp-json\/wp\/v2\/pages\/438"}],"wp:attachment":[{"href":"https:\/\/www.vocevista.com\/en\/wp-json\/wp\/v2\/media?parent=437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}